#OMNISPHERE 1 IN SIERRA PATCH#
#OMNISPHERE 1 IN SIERRA PLUS#

As ever there are a raft of suspenseful and dramatic grooves and arps esoteric and epic pads and soundscapes booming and striking basses and drums plus widescreen guitars, emotive pianos, hybrid bells, and all sorts of pulsating and moody noises. In particular there are more percussive loops, cinematic hits, sombre textures, as well as more light/organic sequences.Īt its heart, Colossus II is bristling with punchy, vibrant drama and sophisticated, subtle tension.

Like its predecessor it is inspired in particular by the music of Harry Gregson-Williams and James Newton Howard, resulting in a soundset that is packed with kinetic energy, dark atmosphere and driving pulse.Ĭolossus II expands on the original, providing both more of the same and also zeroing in on a few sonic areas that needed focus. This library is the follow-up to The Unfinished’s 2016 best-seller, Omnisphere Colossus, and is aimed at providing great sounds for cinematic action and underscore. Omnisphere Colossus II is a collection of 400 patches and 70 multis for Omnisphere 2. Important Note: These patches require that you own Spectrasonics Omnisphere 2 to work, which can be purchased HERE.

#OMNISPHERE 1 IN SIERRA PATCH#

Each patch comes with careful programming on the modwheel, to allow quick and dynamic sound design. It takes the baton from powerful and emotional modern film scores, and pushes them in new and useful directions, allowing the user to produce original but much in demand cinematic music.Īs well as 600 patches, Colossus also includes 130 multis, combining and stacking various patches for instant inspiration. However, this collection is not about emulation, but about vibe. Scores such as Deja Vu, Gone Baby Gone, Phone Booth, Total Recall, Bourne Legacy, Michael Clayton, The Equalizer and Salt have been major influences on this soundset. If you write for films, games or television, you will find enormous inspiration in the multitude of dynamic basslines, lo-fi drumloops, analogue and organic pads, emotional guitars, vivid synths, punchy basses, lyrical pianos, dramatic percussion, widescreen hits and impacts, expressive mallets and bells, ethereal textures and dark soundscapes.Ĭolossus has been carefully designed to deliver the ultimate collection of synths, instruments, loops and textures for modern composing, heavily inspired by the work of Harry Gregson-Williams and James Newton Howard. Having created factory patches for the release of Omnisphere 2, Colossus was The Unfinished’s first commercial release for the synth and is aimed at cinematic underscore and Hollywood action music – though it will also be very useful for atmospheric electronica, ambient and neo-classical styles. Omnisphere Colossus is a collection of 600 patches (and 130 multis) for Spectrasonics Omnisphere 2 synth.

Omnisphere 1 in sierra